Got a Hitch
Vintage Hollywood (1940)

HOME

Biography
The Silent Years...(1922~1925)
The Silent Years...(1926~1928)
The First Sound Years( 1929~1933)
The British Classics (1934~1935)
The British Classics (1936~1939)
Vintage Hollywood (1940)
Vintage Hollywood (1940~1942)
The War Years(1943~1945)
Perfecting the Art (1946~1950)
The Hollywood Classics (1951~1954)
The Hollywood Classics (1954)
The Hollywood Classics (1955~1957)
The Master of Suspense (1958)
The Master of Suspense (1959)
The Master of Suspense (1960)
The Master of Suspense (1963)
The Grand Old Man (1964~1976)
Alfred Hitchcock Presents
Miscellanea

Directed by Alfred Hitchcock

Rebecca(1940)

Screenplay:Joan Harrison, Philip MacDonald, Robert Sherwoodfrom the novel by Daphne du Maurier
CAST: Laurence Olivier, Joan Fontaine, Judith Anderson, George Sanders, Gladys Cooper, Nigel Bruce,Reginald Denny, Cecil Aubrey Smith, Leo G Carroll

Olivier,Fontaine

Laurence Olivier, Joan Fontaine

PLOT: A gauche young girl(Fontaine) meets the suave and mysterious Maxim de Winter(Olivier) holydaying on the French Riviera. He is there to try to forget the death of his first wife, the beautiful Rebecca. He is captivated by the innocent young girl, and asks her to marry him and she accepts. Once back to Manderley, the de Winters family home in Cornwall, the new Mrs de Winters is terrified of the housekeeper Mrs Danvers (Anderson), who adored Rebecca.
It is revealed that Maxim,far from adoring Rebecca,despised her for her philandering and promiscuity, and it looks as though he will have to stand trial for her murder. Maxim is blackmailed by her cousin Favell(Sanders) but a last minute visit to adoctor in London reveals that Rebecca was dying of cancer and so her suicide was highly likely. Returning home by car Maxim finds Manderley ablaze. On arriving he is ovejoyed to find his new wife has escaped from the inferno, while the evil housekeeper can be seen perishing in the fire which she started to avenge Rebecca's memory.

Fontaine,Olivier

Fontaine,Olivier

Rebecca-cameo

(CAMEO) Hitchcock near the phone booth with George Sanders

It is a coincidence but both his last film in England and his first film in Hollywood take place in Cornwall and both are from Daphne du Maurier's novels. But What a difference between the two!

Fontaine,Anderson

(above & below) Judith Anderson and Joan Fontaine

Anderson,Fontaine

40_re5.jpg

Judith Anderson, George Sanders, Joan Fontaine, Laurence Olivier, Cecil Aubrey Smith

40_re9.jpg

Gladys Cooper, Nigel Bruce, Joan Fontaine

" Last night I dreamt I went to Manderley again...."
is the most poignant opening line in cinema, plunging the audience into over two hours of narrative cinema at his best.

Fontaine, Olivier, Anderson

Joan Fontaine, Laurence Olivier, Judith Anderson

Rebecca is the definitive Three-handkerchief romance and is an uncharacteristic Hitchcock film. The actual suspense is muted and what gives the film its durable impact is that Hitchcock tells a love story, a proper love story, with flesh and blood characters. The ensemble playing is unmatched. Joan Fontaine is perfect as the mousy heroine (whose name like in the novel is never revealed), Olivier compelling as Max and Judith Anderson, in only her second film, is ominous as the ubiquitous housekeeper. The rest of the cast is perfect.

Joan Fontaine

Fontaine,Olivier

"REBECCA' received the Oscar for Best Film .
George Barnes won for Best Cinematography(B/W)
and was nominated for:
BestDirector: Alfred Hitchcock
Best Actor: Laurence Olivier
Best Actress: Joan Fontaine
Best Supporting Actress: Judith Anderson

38_lady2.jpg

Laurence Olivier

Fontaine, Olivier

40_re6.jpg

the inquiry

The Inquiry

Anderson

Judith Anderson (Mrs Danvers goes berserk)

"Rebecca" was not a typical Hitchcock film even on the stylistic side; the continuity relied more on camera movement than on the more familiar Hitchcockian cutting techniques. It was nevertheless superbly directed and photographed by George Barnes from the opening shot of the deserted, mist-swathed mansion of Manderley, through to its fiery conclusion..

And the film rivaled the popular appeal of the novel (7 reprints in Britain alone during its first year of publication) Even today after more than 60 years one is swept along and walks mesmerized down the deserted drive to Manderley, enchanted by the cool voice of Joan Fontaine "Last night...."

Enter supporting content here